29
November

2024

‘Paths Unseen: The Sounds of Glenkeen’ – Concerts and performances

Date
29. November 2024
Time
7.30 pm
Location

Crespo Open Space
Weißfrauenstraße 1–3
60311 Frankfurt am Main

Costs

Free entry

Concerts and performances in the exhibition ‘The Glenkeen Variations: ArtNature/NatureArt’

Glenkeen Garden is a landscape park on Roaringwater Bay in West Cork, Ireland, designed by Ulrike Crespo. Since 2021, it has been the location of our Artist in Residence programme, the results of which are shown for the first time in ‘Glenkeen Variations’.

‘The Glenkeen Variations: Paths Unseen’ is an evening highlighting the musical and sonic explorations conducted by several artists in residence.

The evening will include a debut of Tania Rubio’s music compassion, ‘The Language of Water’ (2021/2024) for ensemble and electronics, performed by the internationally acclaimed Ensemble Modern, an electronic music concert by Marcus Maeder and a sound performance by the artist duo STRWÜÜ.

Artists

Tania Rubio
‘The Language of Water’ (2021/24)
presented by Ensemble Modern
Concert (10 Min)

During her residency in Glenkeen Garden, Tania Rubio, Mexican sound artist and researcher specialising in biomusic, grew attentive to the specific soundscapes of the garden. Attentively listening to the sounds of rain dripping from leaves and waves gently hitting the pebbles on the shore, to bird calls, buzzing insects, distant cattle sounds, and rhythmic beats produced by percussion instruments made of everyday household items, Tania weaves intricate textures and resonant acoustics, creating a sonic tapestry reflecting the garden’s different topographies and water's pivotal role in shaping these landscapes.

Artists

STRWÜÜ
‘Wǔ Lǐ Yún Wù’
4.2-Channel Sound Performance (30 Min)

The artistic duo STRWÜÜ (Jo Wanneng and Lukas Fütterer), graduates of HfG Karlsruhe, works in a variety of fields. From animating a kidnapped plant in stop-motion, orchestrating harmonies with giant water lilies to sound objects, inventive marionette techniques, and deliberate exploration of time and space. Their residency focused on cryptogams as a foundation for investigating tension forces and relational dynamics, adding another layer to their boundary-pushing artistic exploration.

Artists

Marcus Maeder
‘Imeall an chosta’
Electronic Conzert (40–60 MIn)

Setting his attention on the sonic, artist, researcher and electronic music composer Marcus Maeder developed over two years in Gelnkeen an extensive project titled Imeall an Chosta, ‘coastline’ in Irish. The project undertakes a dual scientific and artistic exploration of climatic changes along the Roaring Water Bay. Focusing on the impact of a changing climate on aquatic and terrestrial fauna, with particular emphasis on biodiversity, the study listens in on the intricate relationships shaped by microclimatic conditions and exposures in local communities within the context of shore ecology. Employing acoustic methods, automatic audio recorders and sensors strategically placed in transition zones from water to land capture the local soundscape at intervals, providing insights into the temporal and spatial dynamics of biodiversity and the weakening of the Gulf Stream (Atlantic Meridional Overturning Circulation). This ecoacoustic investigation provides new ways of understanding the changes occurring all around us.

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Tania Rubio + Ensemble Modern. Photo Ensemble Modern © Wonge Bergmann

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Marcus Maeder ‘Imeall an Chosta’

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Marcus Maeder ‘Imeall an Chosta’

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STRWÜÜ — Jo Wanneng & Lukas Fütterer

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STRWÜÜ — Jo Wanneng & Lukas Fütterer